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	<title>Comments on: Flashback #20</title>
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	<description>&#34;Cinema does not cry. Cinema does not comfort us. It is with us. It is us&#34;</description>
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		<title>By: Flashback #79 &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2008/06/24/flashback-20/#comment-3762</link>
		<dc:creator><![CDATA[Flashback #79 &#171; The Seventh Art]]></dc:creator>
		<pubDate>Sat, 12 Jun 2010 15:26:20 +0000</pubDate>
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		<description><![CDATA[[...] Mama fits well as a companion film to the most acclaimed work of the movement, Charles Burnett’s The Killer of Sheep (1977). While poetry oozed out from the edges of Burnett’s film, it is anger that emanates from [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Mama fits well as a companion film to the most acclaimed work of the movement, Charles Burnett’s The Killer of Sheep (1977). While poetry oozed out from the edges of Burnett’s film, it is anger that emanates from [...]</p>
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		<title>By: Flashback #28 &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2008/06/24/flashback-20/#comment-391</link>
		<dc:creator><![CDATA[Flashback #28 &#171; The Seventh Art]]></dc:creator>
		<pubDate>Mon, 01 Sep 2008 01:55:28 +0000</pubDate>
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		<description><![CDATA[[...] influences would be seen in hundreds of movies that followed, more famously in Charles Burnett’s Killer of Sheep (1977), which stands at the pinnacle of American [...]]]></description>
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