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	<title>Comments on: Flashback #24</title>
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	<description>&#34;Cinema does not cry. Cinema does not comfort us. It is with us. It is us&#34;</description>
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		<title>By: The View From Above: Films Of Artavazd Peleshian &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2008/07/29/flashback-24/#comment-2012</link>
		<dc:creator><![CDATA[The View From Above: Films Of Artavazd Peleshian &#171; The Seventh Art]]></dc:creator>
		<pubDate>Sat, 08 Aug 2009 12:56:51 +0000</pubDate>
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		<description><![CDATA[[...] End is perhaps the kind of vision that Damiel (Bruno Ganz) saw in the train in Berlin in Wings of Desire (1987), considering the voyeuristic nature of the camerawork in this film. There are also a few [...]]]></description>
		<content:encoded><![CDATA[<p>[...] End is perhaps the kind of vision that Damiel (Bruno Ganz) saw in the train in Berlin in Wings of Desire (1987), considering the voyeuristic nature of the camerawork in this film. There are also a few [...]</p>
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		<title>By: 100 Years, 100 Posts &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2008/07/29/flashback-24/#comment-450</link>
		<dc:creator><![CDATA[100 Years, 100 Posts &#171; The Seventh Art]]></dc:creator>
		<pubDate>Fri, 10 Oct 2008 12:33:00 +0000</pubDate>
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		<description><![CDATA[[...] the China Wall, Gabriel Axel’s tracking sot of the various arts and Wim Wenders’ extension of Wings of Desire are all immensely amusing to [...]]]></description>
		<content:encoded><![CDATA[<p>[...] the China Wall, Gabriel Axel’s tracking sot of the various arts and Wim Wenders’ extension of Wings of Desire are all immensely amusing to [...]</p>
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