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	<title>Comments on: For Ever Godard #6</title>
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	<link>http://theseventhart.info/2008/12/06/for-ever-godard-6/</link>
	<description>&#34;Cinema does not cry. Cinema does not comfort us. It is with us. It is us&#34;</description>
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		<title>By: Stranger Than Paradise &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2008/12/06/for-ever-godard-6/#comment-2502</link>
		<dc:creator><![CDATA[Stranger Than Paradise &#171; The Seventh Art]]></dc:creator>
		<pubDate>Sun, 06 Dec 2009 12:42:04 +0000</pubDate>
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		<description><![CDATA[[...] She asks him if he likes her posterior. This, of course, is the hyperlink to Godard’s polemical Contempt (1963), where the director bit not only the hand that fed him, but all such hands which feed only [...]]]></description>
		<content:encoded><![CDATA[<p>[...] She asks him if he likes her posterior. This, of course, is the hyperlink to Godard’s polemical Contempt (1963), where the director bit not only the hand that fed him, but all such hands which feed only [...]</p>
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		<title>By: Desi King Kong And The Delhi Skies &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2008/12/06/for-ever-godard-6/#comment-878</link>
		<dc:creator><![CDATA[Desi King Kong And The Delhi Skies &#171; The Seventh Art]]></dc:creator>
		<pubDate>Sat, 21 Feb 2009 17:59:57 +0000</pubDate>
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		<description><![CDATA[[...] Jeremy Prokosch, Contempt [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Jeremy Prokosch, Contempt [...]</p>
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		<title>By: For Ever Godard #11 &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2008/12/06/for-ever-godard-6/#comment-650</link>
		<dc:creator><![CDATA[For Ever Godard #11 &#171; The Seventh Art]]></dc:creator>
		<pubDate>Thu, 11 Dec 2008 13:02:40 +0000</pubDate>
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		<description><![CDATA[[...] Godard captured what men and women expect from each other in Contempt (1963), he extracts how exactly their younger counterparts view each other and how their actions [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Godard captured what men and women expect from each other in Contempt (1963), he extracts how exactly their younger counterparts view each other and how their actions [...]</p>
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