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	<title>Comments on: For Ever Godard #31</title>
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	<link>http://theseventhart.info/2008/12/31/for-ever-godard-31/</link>
	<description>&#34;Cinema does not cry. Cinema does not comfort us. It is with us. It is us&#34;</description>
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		<title>By: FILM VIDEO Jean-Luc Godard&#8217;s Histoire(s) du Cinéma &#171; cutting on the action</title>
		<link>http://theseventhart.info/2008/12/31/for-ever-godard-31/#comment-6116</link>
		<dc:creator><![CDATA[FILM VIDEO Jean-Luc Godard&#8217;s Histoire(s) du Cinéma &#171; cutting on the action]]></dc:creator>
		<pubDate>Sun, 08 May 2011 10:37:08 +0000</pubDate>
		<guid isPermaLink="false">http://theseventhart.info/?p=1234#comment-6116</guid>
		<description><![CDATA[[...] For Ever Godard #31 Srikanth Srinivasan in The Seventh Art [...]]]></description>
		<content:encoded><![CDATA[<p>[...] For Ever Godard #31 Srikanth Srinivasan in The Seventh Art [...]</p>
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	<item>
		<title>By: Favorite Films Of 2010 &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2008/12/31/for-ever-godard-31/#comment-5079</link>
		<dc:creator><![CDATA[Favorite Films Of 2010 &#171; The Seventh Art]]></dc:creator>
		<pubDate>Sat, 01 Jan 2011 18:10:17 +0000</pubDate>
		<guid isPermaLink="false">http://theseventhart.info/?p=1234#comment-5079</guid>
		<description><![CDATA[[...] film because it is his last set of films. Yes, like that gargantuan video work of the 90s about the history of cinema, Film Socialism is a work that reconfigures and renews itself every time one sees it. It might all [...]]]></description>
		<content:encoded><![CDATA[<p>[...] film because it is his last set of films. Yes, like that gargantuan video work of the 90s about the history of cinema, Film Socialism is a work that reconfigures and renews itself every time one sees it. It might all [...]</p>
]]></content:encoded>
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	<item>
		<title>By: Europa, Europa! &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2008/12/31/for-ever-godard-31/#comment-4608</link>
		<dc:creator><![CDATA[Europa, Europa! &#171; The Seventh Art]]></dc:creator>
		<pubDate>Tue, 09 Nov 2010 19:00:22 +0000</pubDate>
		<guid isPermaLink="false">http://theseventhart.info/?p=1234#comment-4608</guid>
		<description><![CDATA[[...] for neither does the film provide the comfort of a clear,  overarching authorial voice as in History of Cinema (1988-98) nor does it overtly embrace – as some recent works of the director have &#8211; the [...]]]></description>
		<content:encoded><![CDATA[<p>[...] for neither does the film provide the comfort of a clear,  overarching authorial voice as in History of Cinema (1988-98) nor does it overtly embrace – as some recent works of the director have &#8211; the [...]</p>
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		<title>By: Inglourious Basterds: Afterthoughts &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2008/12/31/for-ever-godard-31/#comment-2288</link>
		<dc:creator><![CDATA[Inglourious Basterds: Afterthoughts &#171; The Seventh Art]]></dc:creator>
		<pubDate>Sun, 11 Oct 2009 03:45:22 +0000</pubDate>
		<guid isPermaLink="false">http://theseventhart.info/?p=1234#comment-2288</guid>
		<description><![CDATA[[...] Inglourious Basterds, more than any other movie, seems to be closest to Jean Luc Godard’s History of Cinema (1988-98). If one considers Godard’s film as a classroom lesson in cinema (Why not? The movie [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Inglourious Basterds, more than any other movie, seems to be closest to Jean Luc Godard’s History of Cinema (1988-98). If one considers Godard’s film as a classroom lesson in cinema (Why not? The movie [...]</p>
]]></content:encoded>
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	<item>
		<title>By: The Grand Illousion &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2008/12/31/for-ever-godard-31/#comment-2259</link>
		<dc:creator><![CDATA[The Grand Illousion &#171; The Seventh Art]]></dc:creator>
		<pubDate>Sat, 03 Oct 2009 06:57:23 +0000</pubDate>
		<guid isPermaLink="false">http://theseventhart.info/?p=1234#comment-2259</guid>
		<description><![CDATA[[...] to carve out a fantastical alternate reality isn’t really a unique one. In Godard’s magnum opus History of Cinema (1988-98), he keeps talking about two kinds of histories – the history that was and history that [...]]]></description>
		<content:encoded><![CDATA[<p>[...] to carve out a fantastical alternate reality isn’t really a unique one. In Godard’s magnum opus History of Cinema (1988-98), he keeps talking about two kinds of histories – the history that was and history that [...]</p>
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	<item>
		<title>By: The View From Above: Films Of Artavazd Peleshian &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2008/12/31/for-ever-godard-31/#comment-2011</link>
		<dc:creator><![CDATA[The View From Above: Films Of Artavazd Peleshian &#171; The Seventh Art]]></dc:creator>
		<pubDate>Sat, 08 Aug 2009 12:48:52 +0000</pubDate>
		<guid isPermaLink="false">http://theseventhart.info/?p=1234#comment-2011</guid>
		<description><![CDATA[[...] films elsewhere. A little deliberation reveals that the extraordinary Jean-Luc Godard compilation History of Cinema (1988-98) is, in fact, closer to the works of this Armenian auteur than anyone else’s. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] films elsewhere. A little deliberation reveals that the extraordinary Jean-Luc Godard compilation History of Cinema (1988-98) is, in fact, closer to the works of this Armenian auteur than anyone else’s. [...]</p>
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	<item>
		<title>By: Srikanth Srinivasan</title>
		<link>http://theseventhart.info/2008/12/31/for-ever-godard-31/#comment-708</link>
		<dc:creator><![CDATA[Srikanth Srinivasan]]></dc:creator>
		<pubDate>Fri, 02 Jan 2009 11:26:00 +0000</pubDate>
		<guid isPermaLink="false">http://theseventhart.info/?p=1234#comment-708</guid>
		<description><![CDATA[LOL... I thought I had put up a warning earlier...]]></description>
		<content:encoded><![CDATA[<p>LOL&#8230; I thought I had put up a warning earlier&#8230;</p>
]]></content:encoded>
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	<item>
		<title>By: Sudharsan</title>
		<link>http://theseventhart.info/2008/12/31/for-ever-godard-31/#comment-707</link>
		<dc:creator><![CDATA[Sudharsan]]></dc:creator>
		<pubDate>Fri, 02 Jan 2009 11:23:37 +0000</pubDate>
		<guid isPermaLink="false">http://theseventhart.info/?p=1234#comment-707</guid>
		<description><![CDATA[Er when you said &#039;forever Godard&#039;, did you mean you would be writing about Godard forever? :)]]></description>
		<content:encoded><![CDATA[<p>Er when you said &#8216;forever Godard&#8217;, did you mean you would be writing about Godard forever? :)</p>
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	<item>
		<title>By: Srikanth Srinivasan</title>
		<link>http://theseventhart.info/2008/12/31/for-ever-godard-31/#comment-704</link>
		<dc:creator><![CDATA[Srikanth Srinivasan]]></dc:creator>
		<pubDate>Fri, 02 Jan 2009 03:34:55 +0000</pubDate>
		<guid isPermaLink="false">http://theseventhart.info/?p=1234#comment-704</guid>
		<description><![CDATA[:) and Thanks for following it throughout...]]></description>
		<content:encoded><![CDATA[<p>:) and Thanks for following it throughout&#8230;</p>
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	<item>
		<title>By: Shubhajit</title>
		<link>http://theseventhart.info/2008/12/31/for-ever-godard-31/#comment-703</link>
		<dc:creator><![CDATA[Shubhajit]]></dc:creator>
		<pubDate>Thu, 01 Jan 2009 17:39:32 +0000</pubDate>
		<guid isPermaLink="false">http://theseventhart.info/?p=1234#comment-703</guid>
		<description><![CDATA[I&#039;d like to take this opportunity to congratulate you for this amazing and truly &#039;Godard-ian&#039; effort from you. I&#039;m sure the French iconoclast would have been really glad of this blogathon by a fellow Little Soldier.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;d like to take this opportunity to congratulate you for this amazing and truly &#8216;Godard-ian&#8217; effort from you. I&#8217;m sure the French iconoclast would have been really glad of this blogathon by a fellow Little Soldier.</p>
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