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	<title>Comments on: Flashback #44</title>
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	<link>http://theseventhart.info/2009/01/15/flashback-44/</link>
	<description>&#34;Cinema does not cry. Cinema does not comfort us. It is with us. It is us&#34;</description>
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		<title>By: Flashback #70 &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2009/01/15/flashback-44/#comment-2449</link>
		<dc:creator><![CDATA[Flashback #70 &#171; The Seventh Art]]></dc:creator>
		<pubDate>Sun, 22 Nov 2009 10:24:18 +0000</pubDate>
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		<description><![CDATA[[...] other &#8211; using both the film within the film and its making-of. As it turns out in Panahi’s The Mirror (1997), reality deviates as significantly from fiction as it resembles it (The mystic kid seems, in [...]]]></description>
		<content:encoded><![CDATA[<p>[...] other &#8211; using both the film within the film and its making-of. As it turns out in Panahi’s The Mirror (1997), reality deviates as significantly from fiction as it resembles it (The mystic kid seems, in [...]</p>
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		<title>By: Film Editing</title>
		<link>http://theseventhart.info/2009/01/15/flashback-44/#comment-729</link>
		<dc:creator><![CDATA[Film Editing]]></dc:creator>
		<pubDate>Fri, 16 Jan 2009 16:37:07 +0000</pubDate>
		<guid isPermaLink="false">http://theseventhart.info/?p=1345#comment-729</guid>
		<description><![CDATA[A good post on Iranian Cinema. The two movies Jafa Panahi and The White balloon are the famous iranian movies.

Thanks
Kate]]></description>
		<content:encoded><![CDATA[<p>A good post on Iranian Cinema. The two movies Jafa Panahi and The White balloon are the famous iranian movies.</p>
<p>Thanks<br />
Kate</p>
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