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	<title>Comments on: Flashback #51</title>
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	<description>&#34;Cinema does not cry. Cinema does not comfort us. It is with us. It is us&#34;</description>
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		<title>By: Flashback #73 &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2009/04/16/flashback-51/#comment-2827</link>
		<dc:creator><![CDATA[Flashback #73 &#171; The Seventh Art]]></dc:creator>
		<pubDate>Sun, 24 Jan 2010 15:54:11 +0000</pubDate>
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		<description><![CDATA[[...] as a kind of mirror for introspection. Be the mirror pointed towards the society at large, as in Homework (1989) and Ten (2002), or towards cinema, like in Close-Up (1990) and Five (2003), or towards the [...]]]></description>
		<content:encoded><![CDATA[<p>[...] as a kind of mirror for introspection. Be the mirror pointed towards the society at large, as in Homework (1989) and Ten (2002), or towards cinema, like in Close-Up (1990) and Five (2003), or towards the [...]</p>
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		<title>By: Flashback #70 &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2009/04/16/flashback-51/#comment-2448</link>
		<dc:creator><![CDATA[Flashback #70 &#171; The Seventh Art]]></dc:creator>
		<pubDate>Sun, 22 Nov 2009 10:23:04 +0000</pubDate>
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		<description><![CDATA[[...] hold it. Mysterious Object at Noon is, perhaps, closest in style and intent to Abbas Kiarostami’s Homework (1989), in which the director brings down a whole nation sitting in a stuffy room with a bunch of [...]]]></description>
		<content:encoded><![CDATA[<p>[...] hold it. Mysterious Object at Noon is, perhaps, closest in style and intent to Abbas Kiarostami’s Homework (1989), in which the director brings down a whole nation sitting in a stuffy room with a bunch of [...]</p>
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		<title>By: Flashback #66 &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2009/04/16/flashback-51/#comment-2169</link>
		<dc:creator><![CDATA[Flashback #66 &#171; The Seventh Art]]></dc:creator>
		<pubDate>Sun, 13 Sep 2009 12:08:39 +0000</pubDate>
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		<description><![CDATA[[...] Shahid Saless’ Still Life (1974) is, barring Kiarostami’s Homework (1989), the greatest Iranian film that I’ve seen. To see that even during the pre-revolution era, [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Shahid Saless’ Still Life (1974) is, barring Kiarostami’s Homework (1989), the greatest Iranian film that I’ve seen. To see that even during the pre-revolution era, [...]</p>
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		<title>By: Book Nook: The Cinema of Abbas Kiarostami &#171; The Seventh Art</title>
		<link>http://theseventhart.info/2009/04/16/flashback-51/#comment-1384</link>
		<dc:creator><![CDATA[Book Nook: The Cinema of Abbas Kiarostami &#171; The Seventh Art]]></dc:creator>
		<pubDate>Wed, 22 Apr 2009 18:06:33 +0000</pubDate>
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		<description><![CDATA[[...] period as in The Traveller (1974), the educational and domestic structure of the country as in Homework (1989) or the women’s issue in Ten [...]]]></description>
		<content:encoded><![CDATA[<p>[...] period as in The Traveller (1974), the educational and domestic structure of the country as in Homework (1989) or the women’s issue in Ten [...]</p>
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