Yes it indeed a film to remember, and the two leads are marvelous under McCarey’s direction. It’s at least as good a film as McCarey earlier LOVE AFFAIR and it’s better-crafted than the later film by Nora Ephron that employs the plot. Beautiful caps.
[...] style enriched his humane portraits. Not that his visual sense was less than masterful, as Srikanth Srinivasan’s collection of screen grabs from An Affair to Remember, emphasizing McCarey’s use of dramatic verticals, will remind [...]
January 30, 2012 at 11:01 am
Yes it indeed a film to remember, and the two leads are marvelous under McCarey’s direction. It’s at least as good a film as McCarey earlier LOVE AFFAIR and it’s better-crafted than the later film by Nora Ephron that employs the plot. Beautiful caps.
January 31, 2012 at 10:44 pm
Thank you, Sam. It’s a brilliant film, very formalist and freewheeling at the same time. Was stunned. Cheers!
February 3, 2012 at 11:52 pm
[...] style enriched his humane portraits. Not that his visual sense was less than masterful, as Srikanth Srinivasan’s collection of screen grabs from An Affair to Remember, emphasizing McCarey’s use of dramatic verticals, will remind [...]