Though Andrei Tarkovsky’s canon consisted of only seven features, three student films, one documentary and a couple of stage plays and there were more unrealized projects than filmed ones, each of the ideas that were completed were gems and remain unparalleled to date. Looking back, each one seems hand picked and “sculpted” second by second and without doubt, the experience just improves with multiple viewings. Of course, Tarkovsky means different things to different people and the section just attempts to give a universal outline of the projects.
September 13, 2008 at 6:43 am
comment
September 13, 2008 at 7:54 am
Thanks for posting your “comment”.
September 14, 2008 at 2:24 pm
don’t thank me Srikanth
I have not seen the film but just read your piece
November 6, 2008 at 7:35 am
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July 31, 2009 at 11:34 pm
That’s good man, keep it going.
April 24, 2010 at 12:10 pm
[...] by earthy colours, especially brown, and the production design is highly redolent of Tarkovsky’s Stalker (1979). The actors are all Bressonian here and do no more than move about in seemingly random [...]
May 16, 2010 at 12:53 pm
[...] past and present (and possibly nightmares) reside in the same physical space, at times, like in The Mirror (1974) and The Corridor [...]