Såsom I En Spegel (1961) (aka Through A Glass Darkly)
Swedish
Ingmar Bergman
“Papa spoke to me”
Ingmar Bergman‘s Oscar-winning film is the first of the “Faith” trilogy and is followed by Nattvardsgästerna (1962) and Tystnaden (1963). The title refers to a biblical passage that means we (humans) have an imperfect interpretation of God and we will see clearly later (possibly after death).
The story revolves around 4 people on an island and spans about 1 day. Karin, played convincingly by Harriet Andersson, has just been discharged from a mental institution. She lives with her husband Martin, father David and brother Minus. Karin’s gradual mental disintegration, David’s indulgence in his writing more than family, Martin’s disappointment at the non-reciprocation of his love and Minus’ struggles with his sexual identity set up the atmosphere of constrained relations and developing sorrow. Karin’s shuttling between her visions and reality, which she knows but cannot do anything about, is known only to Minus who appears to be the only hope for Karin.
Conceptually, the film offers two interpretations of god – one that of love (which David sees and suggests to Minus to hold on) and one that of hate (which is seen by Karin when she views god in a spider form). It, however, ends on a hopeful note leaving the details to its sequels. Beautifully shot in black and White by veteran Sven Nykvist, the movie is characterized by strong performances and thematic costume work like all Bergman films. The film won the Oscar for best foreign film in 1961.
June 7, 2008 at 8:10 am
[…] Trilogy“. Nattvardsgästerna (1963) is the second installment in this trilogy following Såsom I En Spegel (1961). Having established the concepts of God as love and God as a monstrous spider that can be […]
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June 7, 2008 at 9:29 pm
[…] “Faith Trilogy“. Nattvardsgästerna (1963) is the second installment in this trilogy following Såsom I En Spegel (1961). Having established the concepts of God as love and God as a monstrous spider that can be […]
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June 18, 2008 at 4:51 pm
[…] passes to to him that signify communication and hence love). The trilogy (the previous ones being Såsom I En Spegel (1961), Nattvardsgästerna (1962)), as a whole puts forth notions of God and Godlessness (that […]
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June 18, 2008 at 5:40 pm
[…] passes to to him that signify communication and hence love). The trilogy (the previous ones being Såsom I En Spegel (1961), Nattvardsgästerna (1962)), as a whole puts forth notions of God and Godlessness (that […]
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April 19, 2009 at 5:41 pm
[…] black helicopter – a possible nod, along with the army tank in the town, to the Spider God of Through a Glass Darkly (1961) and Silence (1963) respectively – forces him to return back. It’s worse than God’s […]
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