The Oscar Official entries are out (Full list here) and as many as 67 countries have submitted their candidates for the golden statuette – A record number by itself. With the nominations out in January, here is an early look at the major players this year.
Gomorra: Italy’s tale of the life and times in Camorra, the crime hub of Naples interweaves 5 stories of people living in the area and trying to make a life and name for themselves. The film is already making waves as the author of the book on which the film is based on is under a life threat. Confusing and unconventional narrative keeps one engaged. And the Academy won’t fail to notice such films.
The Baader Meinhof Complex: Consistent performer at the Oscar Awards, Germany’s fantastic portrayal of interconnected lives in The Edge of Heaven may have been overlooked, but this film about the rise of the Red Army Faction during the late 60’s seems to be the favorite especially since the Academy seems to have shed its policy of not embracing violence.
The Class: A sleeper, even for Cannes where it went all the way. It has become a thumb rule that Oscar should not be given to the Palm D’Or winner and The Class may just succumb to that. Another minimalist film, following its Cannes predecessor 4 Months. 3 Weeks and 2 Days, The Class serves as a exhibition of the various cultures and their intersection in the city of Paris. A low chance, but the Academy never ceases to surprise.
Waltz With Bashir: Israeli reply to Persepolis follows the life of the director during his involvement in the Israel-Palestine war told in animation. The Academy loves issues – be it cultural or political (conditions apply!) – and what bigger issue at this time than the middle eastern conflict. Persepolis was unfairly ignored and let’s hope Waltz with Bashir makes up for that.
Dream Weavers: Beijing 2008: We’ve all seen it and we’ve all collapsed in awe – the 2008 Olympics in China. Surprising entrant is this documentary from China that follows the Chinese government’s run up to the Beijing Olympics. The film took 5 years to make and hope is that it is as grand as the Olympics itself. But a docu? Propaganda? And China? Fat Chance!
Opium War: Siddik Barmak made an instant mark with his film Osama (2003) and Opium War follows suit that follows life in Afghanistan as a country influenced by both the Russian and American involvement in War. With the film grabbing the top award at the Rome International Film Festival this year, this one comes as one of the dark horses in the race.
The Song Of Sparrows: Iran’s safest director Majid Majidi is embodiment of consistence and it may be high time he gets another nod after Children of Heaven (1998). The Song of Sparrows follows the life of a man after being fired from an Ostrich farm for his negligence. How the melodrama supporting academy views this one is a question mark. But the profile of the director may just give it the required boost.
Taare Zameen Par: The Indian entry is not exactly a strong contender and may be one of the first films to be weeded out. For a person not new to the Hollywood way of filmmaking, the ordeal of a boy suffering from Dyslexia and his subsequent treatment may be just too typical. Taare Zameen Par edged past contenders like Vallu, Tingya, A Wednesday, Mumbai Meri Jaan, Black & White, Jodhaa Akbar, Rock On and Ghanyam.
The Rest Is Silence: Romanian Follow up to the Cannes winner 4 Months. 3 Weeks and 2 Days is an unconventional movie that depicts how a film based on the Romanian war of independence is made. Part fact, part fiction, the film is being praised in internet circles for its extraordinary art direction and cinematography. We’ll have to wait to hear more about this seemingly strong contender.
Mermaid: Coming of age tale of a girl whose illusions of Childhood are slowly crumbled as she discovers love and the real world may not recreate the magic of Moscow Does not Believe in Tears (1980) at the Oscars, but given Russia’s track record of the Academy Awards, Mermaid seems to be a formidable player this year.
Captain Abu Raed: Jordan enters the race for the first time in its film history and how! Already the winner of the revered Sundance Audience Award and going great guns among the internet forums, Captain Abu Raed is the story of a janitor who is mistaken for a captain by the children in his neighbourhood. He begins to assume the bestowed role and develops fictional stories about his travels to far off countries. This genuine crowd pleaser may just be one of the five the Academy is looking for.
Let’s wait for January.
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