Once Upon a Time in Hollywood

“Or maybe Tarantino decided that the best way to pay a tribute to the upheavals of new Hollywood was to make a film that’s as amoral and provocative as Bonnie and Clyde; and that provocation today means to go against the liberal pieties of his industry. For all their shocks, Inglourious Basterds and Django Unchained were on “the right side of history”, somewhat softening the enfant terrible image Tarantino had cultivated till that point. Hateful Eight can be seen, in this light, as a statement of non-alignment, the image of a woman (whose character Tarantino equated with a Mansonite) strung up by a black man and a white man encapsulating the film’s ideology. In this new film, he has managed to stir up the dominant, liberal side of film culture by taking a political U-turn. For taboo-breaking in our time starts with the thought that everything’s too PC these days.”

[Full article at Silverscreen India]