[The following is a translation of Luc Moullet’s book on Cecil B. DeMille, L’Empereur du mauve (“The Emperor of Mauve” 2012, Capricci)]

I. Career

 

Apprenticeship (1914-15)

The Farrar Years (1915-17)

Rembrandt or not Rembrandt?

A Pioneer of Naturalism

High-society Films (1918-1923)

A Time for Extravagance (1923-1930)

Hiccups (1931-1935)

The Safety of Adventure (1936-1946)

More and More (1949-1956)

The Emperor of Mauve (1949-1956)

 

II. Recurring Elements

 

Epics and Religion

Everything Is Theatre

S&M

Present/Past

Reincarnation and Resurrection

Faults and Other Hobbyhorses

Trials

Mr. Bathtub

The Conception of Chaos

Kitsch

An Heir to Corneille

Comedy

A Master of Storytelling

The Law of Two-Fifths

The Conception of Women

Actors

Opportunism, Politics, Witch Hunts, Racism, Xenophobia

Conservatism

Intertitles and Dialogues

Cecil Banknote DeMille

An Unwitting Genius?

Missing Films

Misfires

Influences

DeMille and the Critics

 

III. Seven Wonders

 

The Golden Bed (1924)

The Road to Yesterday (1925)

The Volga Boatman (1926)

Madam Satan (1930)

Cleopatra (1934)

The Story of Dr. Wassell (1943)

Samson and Delilah (1949)