Translations (Index)


[The following is a translation of Luc Moullet’s book Politique des acteurs (“Actors’ Policy”, 1993, Cahiers du cinéma)]

Politique des Acteurs - Luc Moullet

Foreword

Gary Cooper: Immortality of the Sphinx

John Wayne: Towards Decrepitude

Cary Grant: The Sprint and the Pose

James Stewart: Man of Hands

[The following is my translation of Luc Moullet’s review collection Piges Choisies (“Selected Paychecks”, 2009, Capricci). Articles translated elsewhere have been linked with credits. The uncredited images are my additions from the internet; the original volume contains none.]

Piges Choisies (From Griffith to Ellroy)

OPENING ESSAY

Why Do You Film?

The Twelve Ways of Being a Filmmaker

 

1. MY BEGINNINGS

L’Écran français

Binary Unity (Que viva Mexico)

 

2. MY MASTERS

Georges Sadoul: The Goats of Le Poil

François Truffaut: Seesaws and Connections

Jean-Luc Godard:

Jean-Luc Godard  [Translated by David Wilson]

A Letter from Luc Moullet

A Cosmic Film [Translated by Ted Fendt]

 

3. THE ROYAL PENTAGON

Sam Fuller in Marlowe’s footsteps [Translated by Norman King]

Kenji Mizoguchi: Ugetsu

Luis Buñuel: Otras Inquisiciones (The Exterminating Angel)

Raúl Ruiz: All is two, except Allah who is one (The Blind Owl) [Translated by Rouge]

Robert Bresson: Think, You Fool

 

4. THE HEXAGON AND ITS FACETS

A Small Treatise on Cinematic Determinism

The Mysteries of Paris: An Investigation by Inspector Juross

The Maoists of the Centre du cinéma

The Real Problems

Hazards, Counterpoints and Meteorites

 

5. THE WOMB OF AMERICA

Never Give a Sucker an Even Break: A “Non-sense” Gem

The Last Hunt: Frozen in Hate

Men in War: Nothing but Facts

A King in New York: Austerity of Style

The Quiet American: Metaphysics of the Arabesque

The Naked and the Dead: Better than the Bridge on the River Kwai

Wind Across the Everglades: On Inspiration and Neorealism

John Ford: The Slide of the Admiral

Edgar G. Ulmer: Webs of Destiny and Bits of String [Translated by Ted Fendt & Adrian Martin]

 

6. FESTIVALS

The Martyrdom of San Sebastian

Oshima at Cannes

 

7. THEORY

On the Harmfulness of Film Languageon Its Uselessnessand on the Means to Combat It

Dispositivism in Contemporary Cinema

Long Live Oaks! Down With Penguins!

Jaundice

 

8. ELOQUENCE OF THE SILENTS

Ah Yes! Griffith was a Marxist! [Translated by Ted Fendt]

Bruegel, Kafka, Jump Cut and Beckett

Towards A Pure Fiction: Cecil B. DeMille [Translated by Ted Fendt]

 

9. TURKEYS & WINDBAGS

Adam & Eve: Doesn’t Measure Up to the Subject

Old Yeller: Cynical

Young Sinners: Missing the Small Picture

Michael Powell Doesn’t Exist

Pedro Almodóvar: Nothing About My Mother

 

10. SURPRISE STARS & REVELATIONS

Michelangelo Antonioni: A Serene Nihilism (Blow Up)

Coline Serreau: The Cellular Tree (Saint-Jacques… La Mecque)

The Devil’s Blast: Unstill Life

Gian Vittorio Baldi, Real Winner of Tours Festival, Isn’t Among the Awardees

Alain Guiraudie: Tit for Tarn

Jorge Furtado: The Goldsmith of Porto Alegre

 

The Bravura Sequence [Translated by Ted Fendt]

 

James Ellroy and the Revolution of ’89