Marathon


GoldenEye (1995)
Martin Campbell
Bond, James Bond: Pierce Brosnan
Arch Rival: Alec Trevelyan (Sean Bean)
Bond Girl: Natalya Simonova (Izabella Scorupco)

GoldenEye (1995)

GoldenEye (1995)

It is now time for the fifth actor to step into the shoes of the world’s greatest secret Agent. It is not just Pierce Brosnan who is new to the world of Bond, but even the new M is a lady, played by the no-nonsense Judy Dench. GoldenEye follows Bond’s adventures in Russia just after the collapse of Communism as he tries to dig into the mysterious character Janus, whose agents destroy the GoldenEye control center and steal its powering source. As the identity of Janus is revealed in the process of tracking down the criminals, Bond’s past is dug up. Bond meets up with Natalya, a programmer who luckily escapes n the massacre at the control centre, and both of them go to Cuba to trace out the other GoldenEye control centre. They have to stop Janus, who is planning the biggest bank robbery in history, from disrupting the computer systems of all the Banks in England. With Bond’s guilt plaguing him, can he act by the mind and not the heart?

Golden Eye remains the most delayed bond film ever, releasing six years after the previous installment. Yes, both Bond and M have changed, but the Russians still speak English among themselves with a Russian accent. Wittier and funnier than many bonds, GoldenEye tries to shed Bond’s macho image to an extent and delve into his personal life of harsh loneliness. Brosnan is good with his lover-boy looks and gives Bond a much required makeover in this otherwise regular Bond fodder.

Licence to Kill (1989)
John Glen
Bond, James Bond: Timothy Dalton
Arch Rival: Franz Sanchez (Robert Davi)
Bond Girl: Pam Bouvier (Carey Lowell)

Licence to Kill (1989)

Licence to Kill (1989)

Timothy Dalton takes up the role of James Bond for one more time in the sixteenth offering in the series. In this one, Bond must avenge the murder of Della, wife of Bond’s CIA friend Felix Leiter and that takes him on the trail of a Mexican drug lord Sanchez, who has established a huge scientific base for the production of narcotic material and has planned to expand his control to as far as East Asia. Bond, with the help of CIA friend Pam Bouvier, flies across the country and infiltrates Sanchez’s loyal group, virtually becoming one of them. He is also helped by Sanchez’s beautiful mistress Lupe Lamora, who seems to have fallen for Bond. He starts his double crossing game and puts down his rivals using Sanchez himself. But Sanchez isn’t as big a sucker as he seems.

Timothy Dalton gives a one-two punch with Licence to Kill after immensely impressing with The Living Daylights. It is a pity that Dalton didn’t play in more Bond films, for he is the best Bond after Connery. The film brings back Bond’s off-the-cuff humour back and it usually helps. Action scenes are all top-notch and make the Roger Moore flicks seem like cartoons. Sanchez makes a great villain and just his stare seems enough to tell that he means business. Look out for a young Benicio Del Toro as Sanchez’s personal assistant. A worthy Bond.

The Living Daylights (1987)
John Glen
Bond, James Bond: Timothy Dalton
Arch Rival: Georgi Koskov (Jeroen Krabbé)
Bond Girl: Kara Milovy (Maryam d’Abo)

The Living Daylights (1987)

The Living Daylights (1987)

After an excruciating seven film streak as the English spy, Roger Moore steps down to make way for Timothy Dalton to step into Bond’s shoes – and how! The Living Daylights is a real thriller that has Bond defending a Russian general Koskov who has defected and is under threat from the KGB. Bond succeeds at that but soon finds that he has been tricked and the defection was but an excuse to turn the MI6 organization against the KGB head Pushkin who, as per Koskov’s statement, has started a mission to put down prominent American and British secret agents. Koskov, meanwhile, is allied with the American arms seller Whitaker who is an admirer of tyrants and warlords. Bond along with Kara Milovy, Koskov’s girlfriend, also tricked by him, and a group of Mujahedins try to stop Koskov from getting a huge amount of Opium out of Afghanistan and in turn get ammunition into the country.

Timothy Dalton is one of the most underrated and least spoken about Bond. Even the one hit wonder Lazenby is praised often. Though not as handsome as Connery or Brosnan, he sure can play the part effectively. The film, by the way, is one of the best Bond flicks and the stunts top all the earlier Bond films. The cracker of a climax where Bond fights in mid air is breathtaking even by today’s standards and thank god, no bad puns. The Afghan connection may raise a brow or two today.

A View To A Kill (1985)
John Glen
Bond, James Bond: Roger Moore
Arch Rival: Max Zorin (Christopher Walken)
Bond Girl: Stacey Sutton (Tanya Roberts)

A View To A Kill (1985)

A View To A Kill (1985)

Final part in the tiring seven part act by Roger Moore is one of his most sober and decent films. In this episode, Bond investigates a dubious racing circuit, where one particular horse seems to get better with more laps. He decides to track the owner of this horse which takes him to Max Zorin, a semiconductor giant who plans to use his might to blow down the silicon valley in the US so that the European companies gain monopoly in the industry. Bond also finds that he was a result of a biological experiment conducted by Nazis on the pregnant women in the concentration camps. He also meets geologist Stacey Sutton, who helps him discover Zorin’s plants and stop Zorin from blowing up his pipelines to flood the semiconductor cradle.

Last of the seven ventures for Roger Moore takes him back to the good old days of espionage rather than mindless shooting and reckless driving. Deliberately paced and developed, the film surprisingly succeeds partly because of the mellow yet charming performance of Christopher Walken as the semiconductor tycoon. The films final half hour turns as Psychopathic as Zorin himself and breaks the finely crafted film abruptly. Another wimpy girlfriend makes you wish for one tight slap.

Octopussy (1983)
John Glen
Bond, James Bond: Roger Moore
Arch Rival: Kamal Khan (Louis Jourdan)
Bond Girl: Octopussy (Maud Adams)

Octopussy (1983)

Octopussy (1983)

The follow up to the phenomenal debacle For Your Eyes Only (1981) makes up for it to an extent as it takes the famous English spy to India. Bond is behind a wealthy Indian named Kamal Khan who buys the expensive Russian artifact called Faberge Egg. As Bond follows him to his home country, he finds out that he works with a woman who calls herself Octopussy and trains women of various countries to smuggle jewels. Khan, on the other hand, has his own plans and is hand in hand with a insubordinate Russian general Orlov. Orlov seeks to use the circus Octopussy has in Germany to bomb the US airbase so that it is disarmed and is vulnerable to Russian attack. Bond must now race against time to diffuse the bomb, save Octopussy and stop Kamal Khan.

The film could have easily avoided the last quarter hour but it still makes a great watch. Kabir Bedi as Gobinda makes a good impression as the deadpan thug who stops at nothing. The quality of production is visibly great and the stunts remain as stunning as the best Bond films. Indian cuisine is still ridiculed and mystified to the extreme. Moore’s disguise as the clown at the circus is the funniest he gets as his puns keep falling flat. Brace yourself for some high flying stunts by the ever lovable Q!

For Your Eyes Only (1981)
John Glen
Bond, James Bond: Roger Moore
Arch Rival: Aristotle Kristatos (Julian Glover)
Bond Girl: Melina Havelock (Carole Bouquet)

For Your Eyes Only (1981)

For Your Eyes Only (1981)

The next offering in the long series is For Your Eyes Only. In this section Bond is hired to hunt down a man who was hired to hunt down a man who was hired to hunt down a lost British device! This takes him back to Eastern Europe where he meets the beautiful Melina with her hunter bow, the daughter of the man who was hired to hunt down the device and who is determined to hunt down the man who hunted down her parents.  After warding off a bunch of loonies hired to hunt him down, Bond continues hunting down what he has been hunting for, As Bond is hunting about, he is confronted by Columbo, a gold-smuggler who reveals to Bond that he has been hunting down the wrong person and he is the one being hunted. With the help of Columbo and Melina, Bond finally decides what he has to hunt down and but finds that he has to climb a risky cliff. So do the people whom he is trying to hunt down.

Hands down winner of the worst performance by a Bond girl beating even Jane Seymour of Live And Let Die (1973). Not that the other performances are any good! The plot seems to have been a bit more importance, but the routine is so predictable that nobody cares. Couple of great sequences and a fantastic title song. Technically inferior than its predecessors, For Your Eyes Only seems to be caught between the elegance of the Connery films and the jaw-dropping action scenes of the later films.  As a result, it does not engage your mind or your heart. For your eyes only!

Moonraker (1979)
Lewis Gilbert
Bond, James Bond: Roger Moore
Arch Rival: Hugo Drax (Michael Lonsdale)
Bond Girl: Holly Goodhead (Lois Chiles)

Moonraker (1979)

Moonraker (1979)

The central piece in Moore’s seven part odyssey as the world’s most famous spy was the costliest and most successful Bond till then. In this episode, Bond investigates the disappearance of a US space shuttle Moonraker. He finds out that a California based tycoon, Hugo Drax, with hardware supplies from Venice and chemicals from near Rio de Janeiro is behind this. If The Spy Who Loved Me (1977) showed us a maniac who tried to build an underwater world, Moonraker follows another trying to take the finest of the human race to space. Bond takes the help of a NASA astronaut/CIA agent/babe Holly and travels around the globe trying to track down his arch rival’s base station.  He finally ends up in the deep interiors of Amazon where he finds out that his enemy is out of the world, literally.

I am sure I’m going to be flamed for telling this, but Moonraker is a solid Bond film. Agreed that the plot and action is much over the top, but hey, what did you expect, Bergman?  Superior stunt choreography includes a jaw-dropping free fall, a boat chase in Venice and a fistfight over a winch. Bond is funny except for the lines where his puns fall flat (Even then he is funny, but unintentionally so). Jaws arrives as a gem and is as stylish as Bond at many places. Amusing references to both Close Encounters Of The Third Kind (1977) and 2001: A Space Odyssey (1968), but don’t even think about comparison.

The Spy Who Loved Me (1977)
Lewis Gilbert
Bond, James Bond: Roger Moore
Arch Rival: Karl Stromberg (Curt Jürgens)
Bond Girl: Anya Amasova (Barbara Bach)

The Spy Who Loved Me (1977)

The Spy Who Loved Me (1977)

After creating a good impression as Bond in The Man With The Golden Gun (1974), Roger Moore delivers a one-two punch with the next film The Spy Who Loved Me (1977). As usual two submarines, one each of the Soviet and Britain, vanish and it is found out that someone has devised a tracking system that hunted down these submarines for their use. So each country sends their best agents – 007 James Bond and XXX Anya Amasova – who jointly track down the cause behind the hijacking of the subs. They meet shipping tycoon Karl Stromberg. They also discover his plans of destroying the world (yawn) so that the whole of humanity has to go underwater for survival which – don’t ask me why – Stromberg’s intention. Can Bond and Anya stop this? (Wanna guess?)

The Spy Who Loved Me marks the return of Bond to his old charming ways – one without too much extravagance or compulsion. The film reminds one of From Russia With Love (1963) with its female Soviet spies, minimal body count (well, for most part!) and powerful henchmen. Richard Kiel as the metal-teethed Jaws is a great find and is the most impressive baddie since Goldfinger. Anya is one of the most effective Bond girls. Great stunts, especially the opening ski chase which culminates in a over-the-cliff jump. But does not give the knockout showdown with the boss one expects.

The Man With The Golden Gun (1974)
Guy Hamilton
Bond, James Bond: Roger Moore
Arch Rival: Francisco Scaramanga (Christopher Lee)
Bond Girl: Mary Goodnight (Britt Ekland)

The Man With The Golden Gun (1974)

The Man With The Golden Gun (1974)

In the next outing of the series, James Bond receives a golden bullet with his number inscribed, presumably from the high-profile assassin Scaramanga, who has been hired to kill a top scientist and steal a device that would change the face of solar energy harnessing. Instead of taking cover, Bond is determined to find Scaramanga before he finds Bond. With the help of fellow agent Good Night, Bond arrives in Hong Kong to find out that the plan to steal was carried out by Hai Fat, the most influential businessman in China. As Bond unsuccessfully ties to obtain the device with the help of Scaramanga’s mistress Andrea, she is killed and Bond is left with no option but to meet Scaramanga face to face in his own private island. But instead of taking down Bond, Scaramanga, the gentleman he is, challenges Bond to a duel of guns…

My candidate for the wimpiest and (hence) funniest Bond of all time. And the wimpiest Bond Girl one could devise. Superior camera work and editing than its predecessors, The Man With The Golden Gun boasts of eye-popping car chases (You even have a car with wings!). The Scaramanga character, though slightly underwritten, makes a great spoil. He is not a megalomaniac out to rule the world. He admires Bond and wants to just go his own way. A gentleman till his final breath. Sherrif J. W. Pepper steals the couple of scenes he is in.

Live And Let Die (1973)
Guy Hamilton
Bond, James Bond: Roger Moore
Arch Rival: Dr. Kananga (Yaphet Kotto)
Bond Girl: Solitaire (Jane Seymour)

Live And Let Die (1973)

Live And Let Die (1973)

It is now time to change the lead as Roger Moore steps into the shoes of the English spy and becomes the third man to don the coveted role. Live And Let Die takes our hero back to the Carribean where certain unwanted killings of fellow agents have taken place and a person named Kananga seems to be connected to all the mystery. He runs his opium business using his vast fertile fields of the island and also with the psychic help of Solitaire, a tarot reading beauty who has been held by Kananga for predicting future. Kananga intends to use his huge produce to monopolize the business and own the economy. There is also Mr. Big, the distributor of the drug that Kananga grows. Bond meets up with Solitaire, rescues her and burns down the opium fields. But not all his enemies go down with the fire.

Bond’s adventures range from crocodile dodging to high speed motorboat chases with the latter being the only high point of the film and even perhaps, the only reason to make the film. Roger Moore is good and carries on the elegance of the character well but ultimately makes no registering impact. Some over the top scenes (even for Bond!) unintentionally produce laughs and make this debut of Roger Moore, a very passable one (except for the title song by Paul McCartney!). An easy mission for Bond and hence an unentertaining one.

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