George Lucas: “This ain’t gonna be easy”
Steven Spielberg: “Not as easy as it used to be”

Lucas and Spielberg are at it again. After the intensely dramatic Munich, Spielberg freaks out and does what he does best – getting people on their feet. I don’t know why he chose Indiana Jones for that. Probably, he didn’t want to bring in aging sharks or senile aliens. Surprisingly (and commendably), he has banked on Harrison Ford once more to deliver. Does Indiana Jones And The Kingdom Of The Crystal Skull (2008) live up to the expectations set by its first three installments? Yes and No.

Indiana Jones And The Kingdom Of The Crystal SkullSpielberg has chosen a very simple plot in order to not distract the audience. Indiana Jones (Harrison Ford) escapes from of group of commies led by Irina Spalko (Cate Blanchett) who are in search of an artifact. Removed from his college for getting involved with the communists, Dr. Jones is called for action by Mutt (ShiaLaBeouf) , the godson of Prof. Oxley (John Hurt), a long time friend. Henry informs him that his mother Mary Williams (Karen Allen) and Prof. Oxley have been kidnapped in South America while in the hunt for a so-called crystal skull. It his up to Jones to hunt for the skull and return it to its proper place. In the journey, he finds that there are others vying for the skull too and discovers his true relationship with his family and friends.

The film promises enough twists and turns required for a franchise such as Indiana Jones till the central act after which the plot takes a back seat and action takes the driver’s (literally!). The last act succumbs to predictability and acts as nothing more than fillers. The characteristic wry wit of Indy is still intact and is charming as ever. There are numerous references to earlier Spielberg films as well. The chaotic party in 1941, the terrorizing truck shots of Duel, shots similar to the massacre the Omaha beach landing in Saving Private Ryan, the famous rear-view shot in Jurassic Park, the best moments of its prequels and even a few beings that look like the grown up versions of E.T. – The Extra Terrestrial!

Expecting a 65-year old Indy to be weaker than his former self is nothing but normal. More of brain work is expected from him during perilous situations. Even Indy expects that early on. But his vulnerability stops there and it seems that no one cares that he is fit to receive pension. Indy seems to go on and on like a 30 year old. Hats off to Harrison Ford for performing those larger than life stunts with the same vigour as he did in the opening installment. Only he could have pulled this off without shattering the audience’s perception of Indiana Jones. Cate Blanchett’s character, Irina Spalko is reminiscent of Yuri of Command & Conquer: Red Alert game. With her cold witch-like eyes, Blanchett is the perfect foil as the megalomaniac Russian scientist. But the character neither has the depth to suit such a performance nor poses any threat to the juggernaut of the protagonist. It was disappointing to see George McHale (Ray Winstone), Indy’s friend, portrayed as a thorough stereotype that one expects only in bottom-of-the-barrel movies such as The Mummy and the like.

Hands down, Indiana Jones And The Kingdom Of The Crystal Skull has the best action sequences filmed in recent times. The stunts and the choreography have quality written all over. The production design has deliberately (and effectively) retained the look and feel of the post-war cold era. Spielberg regular Janusz Kaminski , who gave us a glimpse of hell in Saving Private Ryan sizzles in the action sequences. His cinematography has given the director the best possible output for his effort . A definite Academy Award nomination. The other regulars Michael Kahn and John Williams maintain the pace and excitement to support his work.

In this age of special effects, it seems easy to churn out a high-octane action flick and Steven Spielberg knows it by heart. He has put forth his trump card (Indy, of course) into the game. But has relied on it too much that he has neglected the finer aspects of plot and characterization. It is compensated by the other side of the balance with spectacular action and stunt sequences that characterize Indy. But the bottom line is: ” It’s Indiana Jones and what else do you want? Go to the theaters now“.


Schindler’s List (1993)
Steven Spielberg

Schindler’s List (1993) is undoubtedly Spielberg‘s most serious film and one of Hollywood’s most fresh films. Spielberg’s portrayal of the German industrialist who traded his wealth for the lives of hundreds of Jews provided the industry a benchmark in almost all aspects of film making. Ralph Fiennes plays the chief of the Nazi camp, Amon Goeth, and Liam Neeson plays the title character.

Oskar is troubled by the atrocities he has witnessed during his stay at the camp. He is not able to come to terms with the mindless killing of the workers at the camp. The scene I going to talk about is my favorite in the movie where Amon Goeth and Oskar Schindler are at the former’s birthday party and sitting on the balcony. Goeth is heavily drunk and points out how sober Oskar is even though he has drunk much. The following conversation ensues.

Oskar: Why do you drink that motor oil? I send you good stuff all the time. Your liver’s going to explode like a hand grenade.
Amon: You know, the more I look at you… I watch you! You’re never drunk. Oh, that’s… that’s real control. Control is power. That’s power.
Oskar: Is that why they fear us?
Amon: We have the fucking power to kill, that’s why they fear us.
Oskar: They fear us because we have the power to kill arbitrarily. A man commits a crime, he should know better. We have him killed, and we feel pretty good about it. Or we kill him ourselves and we feel even better. That’s not power, though. That’s justice. It’s different than power. Power is when we have every justification to kill… and we don’t.
Amon: You think that’s power?
Oskar: That’s what the emperors had. A man stole something… he’s brought in before the emperor… he throws himself down on the ground, he begs for mercy. He knows he’s going to die. And the emperor, pardons him. This worthless man. He lets him go.
Amon: I think you are drunk.
Oskar: That’s power, Amon. That, is power!

The video of this conversation is given here:

The following day, Goeth witnesses one of his servants bumbling and he decides to “pardon” him. Surprised, the boy exits the house. Goeth tries to feel the “power” as mentioned by Oskar only to look stupid. He immediately takes a rifle and shoots the boy to death from the balcony as Itzhak Stern (Ben Kingsley) watches on.

Amon Goeth has returned to his former self.